JCPA African-American Mission: Final Thoughts

I had the pleasure of representing Birmingham and the JCRC along with Joyce Spielberger this week to the JCPA African-American and Jewish Mission. Several people from across the country visited Birmingham to learn more about our social justice and civil rights initiatives. They came in twos--one Jewish, one African-American. Each came with the desire to learn from each other and to come away with ideas for their communities.

After seeing some local organizations on display, I was REALLY proud of Birmingham and of Alabama. We have had to work uphill from a bloody past. I think we have done a great job. Of course there is more work to do. Some of the initiatives that have helped Birmingham progress no longer exist or they are struggling to hold on. We need to fund Anytown, AL and the Heritage panels. We need to make sure Youth Leadership Forum and Leadership Birmingham are secure. Because of de facto segregation and socio-economic disparities, we have to orchestrate contact. It won’t happen on its own.

The group came away with the power of relationship building and how well our community seems to do that. We have many organizations that cross social and religious lines. Others were struck by the racist past and how it still haunts us in the present. Although I sometimes get overwhelmed by the fact that we always talk about the past, if we didn’t, we would be in denial. Denial is a dangerous state of mind. In Alabama, racism is thrown in your face all the time. In many states, it is hidden. Issues erupt and no one knows how to deal with them. We have had several organizations in place for years to address racism and religious intolerance.

I have enjoyed the opportunity to share this work with members of the Jewish community for over 20 years. I hope we continue to build on what we have started. Keep up the good work Birmingham.

African-American /Jewish Mission Service Project

he African American/Jewish Mission includes a service project as a culminating event. We connected with Urban Ministries, located in the Western section of Birmingham. They have a housing initiative that help people to spruce up their homes.

Learn more about Urban Ministries:





We met a wonderful woman who resided in what used to be Roosevelt City.







Some members of the group painted

The African-American/Jewish Mission: Setting the Tone

After a tour of Vulcan Park and dinner, members of the African-American/Jewish Mission congregated to establish the tone for the rest of the week. The mayor gave an historical perspective of Birmingham under Jim Crow, examples of passive resistance that included the help of a Jewish merchant in the Titusville neighborhood. The leader of the local Jewish Federation introduced representatives and gave participants an opportunity to share thoughts, questions and ideas.

One of the participants began the discussion with a scenario that is familiar to many of us. We literally and figuratively have a situation where communities live on opposite sides of the track. It gave Birminghamians an opportunity to talk about initiatives that have been in place for several years. We discussed decades of programs to address issues of race, religion and life circumstances. It was a great opportunity to introduce many successful initiatives.

As we showcased our Birmingham success stories, participants wanted to know more about cultivating personal and institutional relationships across cultures. I had forgotten how deeply these organizations impacted me. My emotions began to take over so the details of everyone's comments are a bit fuzzy. The fact that I have maintained many of the cross-cultural relationships that were facilitated through these programs began to overwhelm me. Hopefully, participants will comment on this post. So how did people in a divided community begin to build relationships across cultures?

Some comments from the group included:

1) A shared history of struggle connects the community across racial, religious, social and cultural lines. The comment originally related to the Civil Rights Movement, but as we were leaving, a participant added an interesting comment that African-Americans and Jews also have a history of slavery.
2) The community has faith-based institutions who have a social justice mission to address social issues faced by different religious communities. They are willing to share resources, both human and financial.
3) There are people who are willing to take risks.
4) Some of the aspects of southern culture and community lend itself to this type of work.
5) A participant shared the realization that the next generation can perpetuate or change our past. They have begun the work of eradicating racial divisions on their own terms.

Some group members also identified challenges:

1) Intragroup issues that prevent the work from being done.
2) Unwilling partners across community lines.
3) The realization that some factors of the past have not faded.
4) The perception of a paternalistic agenda and people attempting to change communities without buyin from the local community.
5) Keeping the dialogue going.

I look forward to tomorrow's visit to the Birmingham Civil Rights Institute. There is a gallery that chronicles the impact of the Movement on people around the world. Perhaps it will deepen the dialogue. I also look forward to hearing success stories from other parts of the country.

Please check out A Rabbi and A Pastor Go to Birmingham for additional perspectives on the trip.

Dinner at Vulcan Kicks Off African-American/Jewish Mission

I was so excited to read that the African-American/Jewish Mission kickoff would be held at Vulcan. It is absolutely, positively, unequivocally my favorite spot in Birmingham. I have included it on my list of places to visit in Birmingham as part of a personal mission to expand Birmingham's story. Of course the Civil Rights Movement and Birmingham's impact is significant on national and international levels, but unfortunately, people know little else about us. The first thing that many visitors say is that they had no idea that Birmingham was so hilly much less what valuable elements are in those hills.

Most Birminghamians fail to see the beauty and significance in Birmingham's creation. We participate in pigeonholing the city into a specific space and time. Even the President, on his election day, mentioned Birmingham and fire hoses despite a few visits that demonstrated different aspects of Birmingham. It is almost as if Birmingham is frozen in time as far as the media and the outside world are concerned.

Long story short, despite the fact that the Mission has a civil rights and social justice focus, we are starting our journey on Red Mountain, home to the ingredients to make steel. Despite Black Codes, Jim Crow and all that jazz, I would like for visitors to know that descendants of the Magic City share an industrial history. Though we won't have a lot of time to explore this aspect of our history, I am glad that they will at least be exposed to it. Participants won't have the benefit of family day at a plant where tour guides tell you the temperature that many of the workers endured while working with melted steel, but it is June so they will share in the heat and humidity.

2010 African-American and Jewish Mission

On Sunday, June 20, 2010, Birmingham will host African-American and Jewish community leaders from across the country. The Jewish Council on Public Affairs has selected Birmingham as the 2010 site of an annual mission. The Mission is twofold: 1) To strengthen ties between African-American and Jewish leaders and 2) To address systemic poverty. A large portion of the Mission will include visits to popular civil rights and social justice institutions. They will visit places such as the Birmingham Civil Rights Institute, the Lowndes County Interpretive Center, the Southern Poverty Law Center, and Dexter Avenue Baptist Church. Their visit will culminate with visits to local community projects.

Components of the Mission reflect Gordon Allport's "Contact Hypothesis." The "Contact Hypothesis" is one of the most successful means of reducing prejudice or encouraging collaboration among people of different races, ethnic groups or religions. It is often much more sustainable than training or short-term dialogue groups. The contact hypothesis consists of the following components: 1) Pairing individuals from different cultures who are as similar as possible in every other way such as job function, position in the community, socio-economic status...). 2) Set goals and engage in an activity to achieve the goals. 3) Hold participants accountable for their activities. The movie Remember the Titans exemplifies this concept. Denzel Washington was faced with uniting two football teams from schools that had been desegregated. He matched team members by position and required that they get to know each other and work to maintain the winning traditions of both teams. If they did not carry out his requests, they were punished.

The 2010 African-American/Jewish Mission pairs individuals from two different cultures who represent their communities. The entire group will travel, dialogue and work together over a three-day period. In addition to visiting civil rights related institutions, they will hear presentations from local social justice organizations. A representative from Center for Faith-Based Initiatives and Neighborhood Partnerships will also make a presentation. The group will visit an inner city community and help refurbish a home for a family in need. They will spend time reflecting on the experience and strategize for future initiatives.

Though this post was written in the third person, I have the honor of being one of the representatives from Birmingham. Future posts will probably shift from two points of view--observer and participant. I am looking forward to seeing Alabama from the eyes of others and learning something new about the state that has been home to the last five generations of the majority of my maternal and paternal families.

Jammin' with the Wailers at the Alys Stephens Center

A friend, who I see infrequently, called to see if I wanted to go to the Wailers concert. I said, "Of course." I didn't know what to expect. I love the Alys Stephens Center and its series of international music and performing arts. When we got there, the instrumentalists warmed up the crowd. I was trying to think if I had ever attended a Reggae concert. A raspy soulful voice joined the set. It was the lead singer. As soon as he was center stage, I began to think that I was going to have to move to the back of the room. There was no way that I could sit and listen to the Wailers. I was going to have to find a place to dance.

No sooner than the thought came to mind a young man came from no where and started dancing in the empty seats two rows ahead of us. The people behind him asked him to sit down. Well shortly after, the lead singer said, "Come dance with me." The young man and several of his friends ran to the front of the stage. They were joined by several others. I started having flash backs of Rugby Road Extended and one of the few fraternity parties I attended at UVA. However, the Alys Stephens Center has much better acoustics.

I saw my friend Efe, who teaches African dance. She joined the crowd. I ran to hug her. She said, "I knew this could not be a sit down affair." Some people either left the concert or moved to another seat. There was one couple that seemed irritated the whole night. How can you be at a Wailers concert and not even move a pinky? Is it physically possible? Had it been in my younger years, I would have started chanting, "No parking on the dance floor" or "If you didn't come to party than you should go home!" Even prominent university officials were jammin'.

The lead singer was electrifying. I have only seen one other performer who seemed as if the music was coming from the depths of his soul. I thought, "Is this guy channeling Marley?" The music started at his feet, his core and then came oozing out of his mouth.

He jumped around the stage all night wearing a wind breaker with the hood covering a knit cap. I was wondering how many calories he burns with each performance. I also thought at any moment he was going to jump into the crowd. The group performed for two hours with maybe a five minute break. It was amazing. The entire Center was alive.

What was your favorite concert experience?

Dia de Los Muertos in Birmingham

I used to pride myself on attending almost all of the cultural festivals in Birmingham. It is becoming impossible. Our city has grown to the point where there is so much going on, it is difficult to choose what to attend. Of course having a preschooler adds to the number of events we attend and type of events.

Bare Hands Gallery in Birmingham, AL has been hosting a Dia de Los Muertos celebration for seven years. I have been trying to get there for about three years. Tonight, all the forces of the universe were in alignment so I was able to attend. It was nice that two other friends were there to help with my son.

I kept wondering, where in the world would a festival take place on 1st Avenue South and Richard Arrington Blvd (21st Street South)? I am on Richard Arrington Blvd daily, but I couldn't imagine they would close the streets. I find navigating Birmingham's city center very easy. It is on a grid pattern. The address sounded familiar. I had seen a production of "For Colored Girls Who Have Considered Suicide When the Rainbow Isn't Enuf" at that same intersection several years ago.

There were so many cars on Richard Arrington, that I had to cross the bridge to 1st Avenue North. I made a right on 22nd Street and as I crossed the bridge heading south, I saw it. In the midst of the dark sky and buildings that all seemed to blend together was a courtyard full of colorful lights that one usually only sees during the Christmas season. I also saw people in full costume parading down 1st Avenue South heading for a small white tent. I was definitely at Dia de Los Muertos.

As we entered the gates, I could smell incense. The music was an eclectic mix. Since I had my son with me, I wanted to make sure he ate so we made our way to the food tents. We ate paella from the Homewood Gourmet, tamales from Cantina and black beans and rice by Golden Temple. As we ate, we were entertained by live and recorded music.

I spent time chatting with people from a previous life as we waited for the itinerary to unfold. The center piece was the artistic display of alters. We looked at some of the altars along the back wall of the gallery and then stood in line to enter the building. As I was managing a backpack, a son who wanted a piggy back ride and conversing, I wasn't sure whether we could continue to stand in line without incident. The time passed by quickly as I saw former colleagues and students.

As we entered the doors, my son was fascinated by the lights. We named all the primary colors and then when we finally hit the door, there were lights and images of the departed everywhere. My son, who had been a bit timid most of the night, became fascinated with all the candles. One of the the altars had a musical theme. He named all of the instruments and attempted to play the drums. The installations and the lights decorated the hall from top to bottom.

Frida seemed to be a common theme or perhaps she just happened to be the one person that I recognized. I am not sure if it would be sacrilegious to say this, but she almost seemed to be a patron saint or a muse for the artists who created the alters. There was a huge portrait of her on the back wall and many smaller images just about everywhere.

As we entered the main gallery, I was struck by an installation that included an altar to a baby that had departed. It was so beautiful and sad. It included the baby's crib, high chair and a casket. The pastels were a contrast to some of the other altars.

As we exited the gallery to return to the courtyard, some of the entertainment had begun. Somehow I failed to notice the structures in the middle of the courtyard. My years of taking Spanish included stories of Dia de Los Muertos. However, I missed the fact that the courtyard was supposed to be a graveyard. Maybe it is because my son decided he could walk instead of riding on my back. He wanted to touch everything and it was easy to stumble over all the items on the ground. It dawned on me that we were in a graveyard simulation. We were on cement of course, but there were headstones and images one sees in a graveyard placed throughout the courtyard.

Since I spent most of my time nervous that my son was going to destroy something, I couldn't fully concentrate. I will have to go back to Bare Hands. You can still see the installation through November 14th.

SpeakYoSoul Live! Features: JASPECTS! The Polkadotted Stripe Tour!

DATE: SATURDAY 11/21/2009

TIME: 8:00 PM

LOCATION:


BOSS ULTRA LOUNGE
312 20th Street South, Birmingham, Alabama 35233
Phone: (205) 326-3673

COST: 15:00

CONTACT: speakyosoulbham@gmail.com


WEBSITE:
www.myspace.com/speakyosoulbham

www.urbanham.com


SpeakYoSoul Live! features Award winning Jazz/Hip Hop/NuSoul Artists JASPECTS-The Polkadotted Stripe Tour! CNN’s Black in America featured Jaspects in 2008. They’ve got soundtrack credits on the movie Hustle & Flow and have performed for Bill Cosby!Spinning all WAX will be Atlanta’s DJ Dynamite Dave Soul-2009’s Essence Festival Coca-Cola SuperLounge DJ.

SoulfulHouse Party follows!


MERCHANDISE WILL BE ON SALE!


COMMENTS ABOUT JASPECTS:

"Jaspects, on their newest release, The Polkadotted Stripe, it is obvious that they have seen both the birth of cool as well as the future of the funk in heavy doses".

SoulBounce


"Nominated for Indie Album of the Year 2009"

SoulTracks



"This album is very original with a mixture of sounds being used from hip-hop,electronica,r&b,and soul but from jazz musicians".

Amazon Customer


"Loving how Jaspects have incorporated electronic with they're established jazz sound on The Polkadotted Stripe".


Last.Fm User


ATLANTA, Georgia (CNN) -
Today, Jaspects, an Atlanta-based group of young musicians who were born in the hip-hop era, fuse rap and jazz melodies to introduce younger audiences to jazz.

CNN



CREDITS:

Individually, Jaspects' works have appeared in the 2005 major motion picture "Hustle & Flow," on Chamillionaire's platinum albums "Chamillitary" and "Sound of Revenge," on Carlos Santana's "All That I Am," and with platinum recording artists David Banner, Wyclef Jean, Big Boi ("Kryptonite"), and Mary J. Blige ("Just Fine"). Collectively, Jaspects has shared bills with: Dwele, Bilal, Mike Phillips, Herbie Hancock, Eric Roberson, Stevie Wonder, Brian McKnight, and rap phoneme Drake. Jaspects has also collaborated with Grammy-nominated artists Janelle Monae, PJ Morton and Anthony David, in addition to Kedar Entertainment act Algebra, and Good Music's Fonzworth Bentley.

The John F. Kennedy Center for the Performing Arts featured Jaspects in January 2009 as a headliner for the Millennium Stage Series.



DIRECTIONS: If traveling towards Downtown Bham, take 20th Street. BOSS is just a few blocks from UAB and ONA’s Music Room on your LEFT. (RIGHT) if traveling to the Southside from downtown.

Female Beatmakers

I've had the pleasure of finally interviewing someone who I think is an amazing artist(musician and graphic designer). Ry Nea Sol! (aka MsBeatJunkie), she's a female producer/beatmaker from Birmingham, Al:

Aquarius Rising: So, when did you start making beats?

MsBeatJunkie: In 2000, while I was in college at Jacksonville State University.

Aquarius Rising: You majored in Psychology with a minor in Communications. Did you participate in any extracurricular activities that involved music?

MsBeatJunkie: Yes, I was a member of the Jacksonville State University Mass Choir and also the Campus Ministry worship leader.

Aquarius Rising: Wow, so what was your motivation to start producing your own music?

MsBeatJunkie: I didn't hear any music that sounded like what I felt, what I heard in my thoughts on the radio and i hadn't heard of any female producers out there.

Aquarius Rising: What devices did you start out with to create the beats you wanted to hear?

MsBeatJunkie: (She smiles) Fruity Loops aka (FL Studio) and a keyboard.

Aquarius Rising: What did your first beats sound like?

MsBeatJunkie: They were actually dirty south hip hop beats because that's what I heard around me at the time. The word spread that I was producing. I started to get calls and requests to make beats for national and local christian hip hop recording artists.

Aquarius Rising: Do you still make dirty south beats?

MsBeatJunkie: My music changed when I
started listening more closely to what was inside of me. I am far from the commercial tones of crunk and snap. To me, my music is "organic soul, futuristic boom bap" (laughing). I am influenced by many genres. I also implement the art of sampling like many producers, but did not always sample.

Aquarius Rising: Which artists influence your creativity?

MsBeatJunkie: Pete Rock,Madlib,Jdilla,Tonex,Sun Ra...

Aquarius Rising: Sun Ra was a very eccentric musician. Why Sun Ra?

MsBeatJunkie: Sun Ra made music based on what he felt whether you liked it or not. J.Dilla was the same way; both were led by the music.

Aquarius Rising: Technology has become so advanced now. Are you still using just the software and a keyboard?

MsBeatJunkie: (laughing)Yes, but I have other toys too. I love software though, and mixing it with various hardware allows me to be even more creative.

Aquarius Rising: Are there any female producers that you admire?

MsBeatJunkie: The Angel, she is a female producer that you dont hear alot about. I discovered her years ago while watching this movie called "Boiler Room". I was intriqued because the beats in every scene were so tight and organic; so hip hop that I had to find out who produced them and when I found out the producer was a "girl" I really got on it because I dreamed of producing movies for film and tv as well. She's really talented.

Muhsinah (mu-seen-nah), Georgia Ann Muldrow, and Angie Stone are other female producers that I like as well.

Aqaurius Rising: Have you worked with any Birmingham artists?

MsBeatJunkie: I've produced some tracks for spoken word artist Shaun Judah and have had studio sessions with Byron The Aquarius; both are very talented artists. I am currently working with other artists in the city and outside of the city.

Aquarius Rising: Have you faced any challenges as a female beatmaker?

MsBeatJunkie: Of course! Being dismissed in some way or another because of my gender.

Aquarius Rising: So, where can we find evidence of your skills?

MsBeatJunkie: http://www.myspace.com/offbeatmusiq

B'ham's Hip Hop Scene and Me

As much as I appreciate other music genres, I am still a fan of hip hop, particularly conscious hip hop. Few in Birmingham know that I was a percussionist in my high school band (Color Guard and Drum Major also). So naturally I'm into music that I can dance to, groove to or be moved by the messages of its lyrics.

Fortunately, I re-united with Patrick Johnson a.k.a S. Fly of Red Light District over a year and half ago. We were once employed by the same company. S. Fly is the first Birmingham hip hop artist that I was introduced to. Red Light District is an unforgettable group in my mind. I’ll always remember my favorite lines in one of their songs: “ I know a place where we can go, there’s nothin’ but love around, nothin’ but love around”. The track’s beat, the bass is so deep and melodic. It’s one of those songs that you just ride out to when you need to clear your head.

Since then, I’ve also met other Birmingham artists such as: Thed Weller, Byron the Aquarius, I.M.A.E, Poet John Paul, Shaheed, Supreme and Poet Shaun Judah. They performed at one of Birmingham’s most energizing and uplifting spoken word/live music events, The Latte Lounge: SpeakYoSoul Live! at Java and Jams coffee house . I saw Green Seed shut it down at the Bottletree a few years ago. I’m now a fan and really encourage each of these artists to continue to deliver the goods with sick beats and passionate messages about love, struggle, triumph, politics, friendships, foes and “things that make you go mmmhhh”.

Lastly, I think that Birmingham is filled with incredible talent. We can't forget about the ladies. The artists I’ve mentioned have all impressed me. Just as impressive is the female producer/singer/graphic artist Ms.BeatJunkie. She’s remixed tracks for artists abroad and here in the city. Her influences are cats like J.Dilla Flying Lotus, Pharcyde, Digable Planets and Sun Ra. You must experience her for yourself. She even freestyles and has a soulful, jazzy, “can sing just about anything” voice. She has her very own unique swag! You can listen to some of her beats at www.myspace.com/offbeatmusiq.

While you’re cruisin’ the web for hip hop, stop by djlovedeluxe.podomatic.com. This is my site. Yes, I’m making a really concerted effort to hone my dj skills. Stay tuned for the 69 Boyz/Flo Rida mashup. Not very conscious I know, but we all have our weaknesses! The SoulHeat mix on the site showcases some of my favorite conscious hip hop tracks and a remix by Birmingham's MsBeatJunkie. You know, it’s really cool to know personally some of the great hip hop artists and musicians in our city.

Thanks Bettina for the opportunity to share my thoughts on the Birmingham Hip Hop scene. I wish each of the artists mentioned much success in life and their careers.

Is the Best Granola in Montgomery, AL?

I am trying to figure out where to find the best granola in the country. We have some great granola in Alabama. My favorite is from Cafe Louisa in the Cloverdale area. I prefer to buy it by the pound in a Ziplock bag rather than the fancy packaging from the bakery. I swear that it changes the taste.

Cafe Louisa is in an area of Montgomery which is somewhat eclectic. It is home to an independent theater that my husband and I used to frequent--the Capri. We were attending a screening of Military Brats: Our Journey Home. Although there are other military installations in Alabama, they chose to show the film in Montgomery. Montgomery is home to Maxwell Air Force Base which is best known for Air War College.

While waiting for my husband and a friend that was stationed at Maxwell, I needed a quick bite. I decided to explore the cafe across the street. I ordered yogurt and granola. I immediately fell in love. Not only is the granola wonderful, the ingredients, are local. Particularly the syrup.

Who makes your favorite granola?

B'ham Hip Hop: Last Night A DJ Saved My Life

Homegrown and transplanted members of the Birmingham area responded to the post Birmingham's Hip Hop Scene. DJ 'Warm It Up' Chris Coleman shares his thoughts below.

Wow!! What defines the hip hop scene for Birmingham? Hmmm that's a good but complex question because the Hip Hop artists here in Birmingham have not defined themselves...Besides Patrick Johnson(S-Fly in Red Light District) NONE of the Hip Hop Artists stand out. They all sound like Atlanta to me, I am being truthful, I am not stepping on anyone toes and I'm not calling anyone out, but I am an OG in this game...one of the GODFATHERS of hip hop here in Birmingham so I can speak on it.

I don't think these artists know what the essence of Hip Hop is...now lets get one thing straight if you think that Lil Wayne is the greatest rapper alive..then you got to be 14 years old...Lil Wayne is not in the top 20 of the greatest rappers of Hip Hop. A lot of our Hip Hop artists gauge their careers off what's out today and what's out today is NOT a good look at all. One thing that made hip hop stand out is that every artist had their own sound and brand. You could tell the difference from Run-DMC and Whodini, Grandmaster Flash and the Furious 5 to the Sugar Hill Gang, Kurtis Blow to LL Cool J...they all sound different but they stood out! Nowadays...EVERYBODY is T-Paining except Jay-Z(thank god for JIGGA!), and maybe Common, Talib Kwelie and Slum Village!

I had a conversation with some people in the industry and I told them that I don't think there is an artist out today that I'll be able to play 10 years from now and pack the dance floor..But If I play Peter Piper, Friends or 5 minutess of Funk at a party this weekend (oh by the way these are hip hop CLASSICS) I bet I'll pack the dance floor.

I bet there's not a Hip Hop artist in Birmingham that can tell me the MOST important element of Hip Hop...and I'll give you a hint...None of them HAVE ONE!

Now there are some artists here that have potential..like Modesty XO...that's my man...got a lot of heart and talent, just got to channel that energy in another direction. A lot of you guys might not know this but I am a core DJ..one of the originals...Tony Neal is my DAWG!! I had it fixed up where we were going to do a Birmingham night at his conference(where about 700 DJ's attend). The cost was 5g's, I contacted some of the well known artist here and all but about 3 of them backed out. I was like, maybe being heard by 700 of the top DJ's in the country wasn't appealing to them. If I would've gave Supreme, Red Light, ROA and PTG that deal 10-12 years ago it would've been on!!

Just getting your record on the radio in Birmingham is not the answer...Birmingham is ALWAYS late on everything, it's time to tell your story to several millions. Once you make it away from here...Birmingham will have your back...just ask Reuben! I might sound hard on our up and coming artists here in B'ham but y'all know that it's out of love and I love every last one of ya'll and you know it, keep in mind..we got a Soulja Boy, we got a Lil Wayne, we got a Lil Jon...Just be you and define yourself as an original...

Peace to Supreme, Red Light District, Dirty, ROA, PTG, Pop Boogaloo, The MC Crew and ALL the Pioneers who remained true to hip hop..it's essence and it's elements..so Bettina in a nutshell the Hip Hop culture in Birmingham will remain stagnant until one of our up and coming artists git up get out and get something!!

Last Night a DJ Saved My Life by Indeep.

Also this week: DJ Supreme, Thed Weller, S-Fly and more....

Soul Food in Japan, India, and the Middle East?

I may have mentioned in a previous post that the president of the UAB International Student Association and the graduate student association president converged upon my office in October 1990. They were both from India. They had read that I had a background in international relations. My position at UAB did not have direct responsibilities regarding international students, but any student who paid student service fees was a constituent.

We quickly developed a friendship. I hung out at the international house and frequented ISA (now the ISSA) events. One day some of the international students asked, "Bettina, when are you going to take us to a soul food restaurant?"

I had to think about it. My grandparents, mother and five great aunts lived in Alabama. Between their homes and my friends' mothers, I had NEVER eaten soul food at a restaurant. Plus, I lived my first 11 years out of the south so I was accustomed to eating soul food on special occassions and holidays. Sure. There were places that cooked southern food, but not what I call "hardcore" soul food dishes like chitterlings (pronounced chitllins) and other pork scraps, ox tails...My secretary told me to take the students to Family Reunion in West End.

Well, I get lost in Mountain Brook and West End. Birmingham and many surrounding communities are based upon a grid pattern. Those two communities are more complex. I had to get a navigator, my husband, to make sure I did not get lost.

When we got to Family Reunion, I ordered several dishes for the students including: chittlins, ox tails, neck bones, greens, candied yams, okra and I can't remember the rest. My husband and I ordered fish. We started off with a conversation about hot sauce and pepper sauce. One of the students had put pepper sauce on his chitllins and hot sauce on his greens. I would remember this incident when I traveled to Japan and my polite Japanese host family screamed, "no" as I covered my rice with soy sauce. Anyway, we shared that hot sauce was for the meat and pepper sauce for the greens.

Eventually, the students noticed that my husband and I were eating fish. They asked why we weren't eating the items we had ordered for them. I shared that I wasn't sure if they would like soul food so I didn't want to ask my relatives to cook for us due to the fact that most of the foods are labor intensive. However, both my husband and I were raised not to eat certain foods out unless we knew the cook and the condition of the kitchen. However, I didn't want to disappoint them and I had gotten really good references on this particular restaurant.

It didn't seem to matter to my Indian, Japanese, Middle Eastern and Western European students. They were excited to be in a predominately African American city and actually learning about African American culture. They also found commonalities. The Indian students taught me about bhindi masala (an okra based dish) and a Japanese student taught me about fried pig intestines. From that point on, the students made regular trips to Family Reunion.

Diverse Birmingham: Evolution of a Worldclass City

When my brother, Brian, and I moved to Birmingham from Northern, California in the late '70's, we experienced a major culture shock. At first glance, Birmingham consisted of two major groups--Black and White. For the exception of Five Points South, Birmingham was still segregated. However, as time progressed, Birmingham's cultural roots began to expand before my eyes. At John Carroll, I met Mexican, Palestinian, Lebanese, Greek, Italian, Vietnamese and Irish students. At Ramsay, I also met Muslim and Jewish students.

In the interim between college and career, I was looking for an escape from an infrequent lecture by Granddaddy. He asked, "Do you realize Atlanta and Charlotte had to start from somewhere--Use your talent to build Birmingham." One of my cousins rescued me. She had read that Birmingham was hosting a music festival similar to Summerfest in Milwaukee. We were able to raise
$ 5.00 each for weekend passes to the first annual City Stages. It was surreal. I couldn’t remember another occasion in Birmingham where so many people of different races, creeds, colors and musical tastes were in the same two square blocks. How could I leave for the east coast with all this excitement in Birmingham?

As I registered for graduate school, the diversity that UAB had attracted caught my attention… Stay tuned for Part 2/3