After posing the question, "How would you characterize the
Birmingham Hip Hop Scene?", members of the hip hop community shared their opinions. Almost everyone mentioned S-Fly,
Patrick Johnson, of the Red Light District. I wrote to him and asked for his perspective. He responded immediately to my request. He reminded me that we had met more than ten years ago when he was still with the Red Light District and I was working at UAB.

Bettina...I'm a huge supporter of our music scene in general, and because I'm a hip hop artist, I tend to take my hometown hip hop a bit more personal than some others may. I honestly think the current scene reflects the national music scene as a whole - we still tend to try and make music that sounds like someone else's. I don't think rappers WANT to make music that sounds like someone else's (at least not initially), but the pressure from radio, video outlets, and even the (local) audience we play for often demand songs about getting money, what money allows us to do/have, or status... almost anything negative about hip hop can be funneled right back to the "money" category.
This is only 1 example that keep the hip hop community from standing out or being heard on a larger scale (there are several). THERE ARE SEVERAL ARTISTS/EVENTS that promote good hip hop music, and there are various artists from the city who are excellent examples of new, fresh sounds and approaches to the music that intrigue audiences without radio play or videos.
The best part about the current scene for me is that the scene has actually grown up. In 1992, when Southern Comffort started, the scene was more like a toddler.... we had studios where we could book time and a network of outlets to produce quality work, and we were all "learning the system".
Somewhere around 1998-99, rappers like Supreme (Eargasm), Superking and B. Moe (Last Sunday Showcase), and Red Light (Love Jones @ Phoenix) hosted regular events that promoted not only the artists who came through, but hip hop culture AND the Bham scene as a whole. We no longer booked studio time - the PC had become affordable and we now had home studios and the knowledge to use them. This was our adolescent age... we were now promoting events, booking our own venues, and showing our independence.
Nowadays, Supreme has his own hip hop show, I've produced documentary and soundtrack music, Superking and Big Creed started award shows for the local scene, and several hip hop artists are involved in civic/mentoring projects. We produce our own shows if/when necessary with no problem, buy and/or produce our own advertising, create, shoot, and edit our own videos. We are in a much better position than we were almost 20 years ago! Our #1 problem right now is being ORIGINAL whenever we produce this quality work....what's the sense in producing your very own Gucci Mane record when Gucci Mane already has one out? Shout out to Ike Gi Jones and the Battle C.A.T.S., John Woodlawn, 7even, Big Chuck Ent, Murc Camp, Code, Thed Weller (old head, new name) and a host of other "newer generation" Bham scene hip hop brethren that keep fresh creative sounds and ideas, and can rock a show without rapping over the words in the track (a new phenom, requires a different post altogether). RESPECT to all the pioneers of this scene, from Cozmo Flex and Kid Fresh, to L.O.D., R.O.A., Attitude, Supreme, and so many others (emcees and dj's alike).
Yes, long winded....but like I said, I love this scene and will always promote it. I'm not leaving.
Please check out the link to
Mr. Dial Has something to Say's Emmy nominated soundtrack by Patrick Johnson.